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    综艺镜子的另一面：纽波特民歌艺术节1963~1965

    镜子的另一面：纽波特民歌艺术节1963~1965

    影片信息

    • 片名：镜子的另一面：纽波特民歌艺术节1963~1965
    • 状态：正片
    • 主演：Bob Dylan/Joan Baez/Judy Collins/
    • 导演：Murray Lerner/
    • 年份：未知
    • 地区：美国
    • 类型：欧美综艺/
    • 时长：内详
    • 上映：未知
    • 语言：英语
    • 更新：2023-04-24 21:58
    • 简介：　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
    美国/欧美综艺 /英语/

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    剧情简介

    　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

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      • 1、请问《镜子的另一面：纽波特民歌艺术节1963~1965》电影什么时候上映？

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      • 3、请问《镜子的另一面：纽波特民歌艺术节1963~1965》什么类型的电影？

        多瑙影院网友：截止到2023-04-24 21:58，《镜子的另一面：纽波特民歌艺术节1963~1965》已经更新超清。

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      • 5、电影《镜子的另一面：纽波特民歌艺术节1963~1965》演员有哪些？

        多瑙影院网友：镜子的另一面：纽波特民歌艺术节1963~1965有以下主演：Bob Dylan,Joan Baez,Judy Collins

      • 6、电影《镜子的另一面：纽波特民歌艺术节1963~1965》评价怎么样？

        百度最佳答案《镜子的另一面：纽波特民歌艺术节1963~1965》评价很好，我觉得超级好看，首先选角很好，我现在已经追小说了带入的都是他们！剧中有太多细节了！男女主令我动容

      • 7、电影《镜子的另一面：纽波特民歌艺术节1963~1965》豆瓣影评

        豆瓣电影最佳影评：我感觉镜子的另一面：纽波特民歌艺术节1963~1965还不错的，导演Murray Lerner设计了很多镜头非常精彩，我最喜欢的演员：Bob Dylan,Joan Baez,Judy Collins，我是他们的粉丝，很多人给3星，所以镜子的另一面：纽波特民歌艺术节1963~1965真的这么糟吗？当然不是，即使在这部电影镜子的另一面：纽波特民歌艺术节1963~1965里，他所体现出的严肃的态度依然是现在大多数导演缺乏的。如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星

        mtime时光网影评：镜子的另一面：纽波特民歌艺术节1963~1965剧情很流畅，人物也很丰满，节奏把握的很好，Bob Dylan,Joan Baez,Judy Collins演技都非常不错，感情真挚，很有年代感。没有过多煽情，每个人物都发挥了作用，这个片属于惊悚,恐怖类型，细节也很到位。整个影片三观也很正，总体来说，可以和朋友一起看，推荐！！！

        百度最佳答案：《镜子的另一面：纽波特民歌艺术节1963~1965》评价很好，演员阵容强大，并且演员的演技一直在线，全程无尿点。你也可以登录百度问答获得更多评价。

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