女巫1967
影片信息
- 状态：HD
- 主演：西尔瓦娜·曼加诺/安妮·吉拉尔多/弗朗西斯科·拉瓦尔/马西莫·吉洛蒂/维罗尼卡·旺代勒/埃尔莎·阿尔巴尼/克拉拉·卡拉马伊/玛丽卢·托洛/诺拉·里奇/迪诺·梅莱/赫尔穆特·贝格/布鲁诺·菲利皮尼/莱斯利·弗伦奇/阿尔贝托·索尔迪/托托/尼内托·达沃利/劳拉·贝蒂/克林特·伊斯特伍德/Valentino Macchi/Pietro Torrisi/马里奥·西普利亚尼/彼得罗·托尔迪/
- 导演：莫洛·鲍罗尼尼/维托里奥·德西卡/皮埃尔·保罗·帕索里尼/佛朗哥·罗西/卢基诺·维斯康蒂/
- 年份：1967
- 地区：其它
- 类型：喜剧/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2023-02-12 03:02
- 简介： "The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
7.0
网友评分
777次评分剧情简介
"The Witch Burnt Alive" After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous. "Community Spirit" Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through. "The Earth Seen from the Moon" The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific. "The Sicilian" Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories. "A Night Like Any Other" Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
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1、请问《女巫1967》电影什么时候上映？
电影吧网友： 女巫1967于1967在其它上映
2、请问哪个网站可以免费在线观看《女巫1967》？
优酷视频网友：您可以用手机打开百度APP在搜索框里输入：《女巫1967》免费在线观看，就可以找到免费播放资源了。手机免费看女巫1967免费网址：www.duonaovod.com/index.php/vod/detail/id/45972.html这个网站免费无广告。 这个网站资源相对比较多，如果观看不了或者更新不及时只需要【切换线路即可】
3、请问《女巫1967》什么类型的电影？
多瑙影院网友：截止到2023-02-12 03:02，《女巫1967》已经更新超清。
4、请问谁有《女巫1967》高清无删减版资源
多瑙影院网友：多瑙影院提供《女巫1967》高清无删减版在线播放，这个网站高清无广告！
5、电影《女巫1967》演员有哪些？
多瑙影院网友：女巫1967有以下主演：西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪
6、电影《女巫1967》评价怎么样？
百度最佳答案《女巫1967》评价很好，我觉得超级好看，首先选角很好，我现在已经追小说了带入的都是他们！剧中有太多细节了！男女主令我动容
7、电影《女巫1967》豆瓣影评
豆瓣电影最佳影评：我感觉女巫1967还不错的，导演莫洛·鲍罗尼尼,维托里奥·德西卡,皮埃尔·保罗·帕索里尼,佛朗哥·罗西,卢基诺·维斯康蒂设计了很多镜头非常精彩，我最喜欢的演员：西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪，我是他们的粉丝，很多人给3星，所以女巫1967真的这么糟吗？当然不是，即使在这部电影女巫1967里，他所体现出的严肃的态度依然是现在大多数导演缺乏的。如果演员演技爆炸或者剧本极佳，我也不会吝啬我的5星
mtime时光网影评：女巫1967剧情很流畅，人物也很丰满，节奏把握的很好，西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪演技都非常不错，感情真挚，很有年代感。没有过多煽情，每个人物都发挥了作用，这个片属于惊悚,恐怖类型，细节也很到位。整个影片三观也很正，总体来说，可以和朋友一起看，推荐！！！
百度最佳答案：《女巫1967》评价很好，演员阵容强大，并且演员的演技一直在线，全程无尿点。你也可以登录百度问答获得更多评价。